<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-36365995</id><updated>2008-06-16T11:47:05.707-05:00</updated><title type='text'>StillDiggin</title><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>17</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-36365995.post-6212349790861248103</id><published>2007-05-29T23:41:00.000-05:00</published><updated>2007-05-30T00:13:57.397-05:00</updated><title type='text'>Marcus Icke Writes a Review</title><content type='html'>&lt;span style="font-family:times new roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Introduction:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;As pleased as I am to know that Marcus Icke has read at least two of my articles, I must say that I am disappointed in the strength of his argument against them.&lt;br /&gt;&lt;br /&gt;Feel free to read his comments in &lt;/span&gt;&lt;a href="http://www.911research.dsl.pipex.com/keepdiggin/"&gt;&lt;span style="font-family:times new roman;"&gt;this apparent rebuttal&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; to my comment that if he can place airplanes in space, he should be able to look straight down on them using the very same software.&lt;br /&gt;&lt;br /&gt;In his article, he claims that I have miscalculated an angle by 10 degrees. His claim is based on using Flight Simulator 2004 software to recreate a CBS frame. Using the placement of the Empire State Building relative to the twin towers, he claims that the actual angle of the camera relative to the face of WTC2 is 2 degrees, as opposed to the 11.59 degrees that I had calculated.&lt;br /&gt;&lt;br /&gt;Although I agree that the “blooming” he refers to is a potential source of error in my calculation, at an average of 1.6 or so degrees per miscounted pixel, there is no way that “blooming” can account for a 6 pixel miscount.&lt;br /&gt;&lt;br /&gt;There are multiple problems with Marcus’ method of arriving at his angle calculation, but before I go there, I’d like to openly ruminate regarding the intent behind his rebuttal.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Icke’s Motive:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Although cleverly worded and very accurately mimicking my presentation format, even down to the font selection – there seems to be malicious intent behind the article. If the inciting phraseology behind this intent was &lt;em&gt;“Something has always bothered me about the work of Marcus Icke and Stephan Grossman,”&lt;/em&gt; then this type of rebuttal seems a tad overzealous to be a “tit-for-tat” exchange.&lt;br /&gt;&lt;br /&gt;What makes this interesting is that Marcus Icke has authored an entire sequence of articles which are linked to under the title “&lt;/span&gt;&lt;a href="http://www.911research.dsl.pipex.com/ggua175/"&gt;&lt;span style="font-family:times new roman;"&gt;The WTC2 Media Hoax&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.” To the best of my recollection, it was simply “Ghostgun UA175” a few months ago.&lt;br /&gt;&lt;br /&gt;So I will dare to ask this simple question: How can you call something a media hoax without blaming the media?&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.911research.dsl.pipex.com/ggua175/structural/"&gt;&lt;span style="font-family:times new roman;"&gt;Here&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, Marcus Icke states &lt;em&gt;“If a Boeing 767-200 had hit the tower it would have exploded externally and bent the facade inward noticeably while depositing pieces of fuselage, wings, tail fins...etc in the streets below. There would have been some column damage but it would have been virtually impossible for any of the lighter airframe sections to pass completely through the tower.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Except for the “bend the façade inward noticeably” part, this is true (only the engines and landing gear would have bent anything).&lt;br /&gt;&lt;br /&gt;So if we agree, why is Icke on the offensive? Perhaps the answer may be scattered throughout his articles…&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Icke Defends the MSM:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;At first glance, you might jump to the conclusion that Marcus Icke is referring to the same Media Hoax/TV-Fakery that I’ve been going on and on about. However, if you follow all the links on his “WTC2 Media Hoax” page, he only attacks the amateur footage.&lt;br /&gt;&lt;br /&gt;Then, in his rebuttal to my “The Earth is Not Flat” article, he actually DEFENDS the CBS footage – using amateur footage in an attempt to validate his claim (how funny is that?).&lt;br /&gt;&lt;br /&gt;The only way that the media can be absolved, given the impossibility of a plane cutting through the south tower, is if they can use holograms as an excuse. To the best of my knowledge, Icke and Grossman are the only two people on this planet who are still spewing hologram stories.&lt;br /&gt;&lt;br /&gt;The different flight paths are what rule out holograms, which is exactly why Icke “can’t” look down on all of his planes, because they’re all in different places.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;The REAL Media Hoax:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;I have no problem with being proven wrong. I’ve been meaning to add a note to my Pinocchio article regarding the “Live CGI Insertion” section. Although it is possible that they could have used Sportvision technology, &lt;/span&gt;&lt;a href="http://killtown.blogspot.com/2007/05/mysterious-moving-bridge-near-wtc.html"&gt;&lt;span style="font-family:times new roman;"&gt;the Moving Bridge&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, &lt;/span&gt;&lt;a href="http://killtown.blogspot.com/2007/05/spinning-wtc.html"&gt;&lt;span style="font-family:times new roman;"&gt;the Spinning WTC&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, and other footage clearly shows that bluescreen technology was used to bring 9/11 to our television sets.&lt;br /&gt;&lt;br /&gt;So how valid is ANY calculation that relates the location of the Empire State Building to WTC2, after seeing this?&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; FONT-SIZE: 130%; MARGIN: 0px auto 10px; WIDTH: 700px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/SpinCity.jpg" /&gt;&lt;/a&gt; &lt;p&gt;&lt;/p&gt;And how accurate do you suppose Icke’s “2 degree” calculation is after you look at a CBS pan-out?&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; FONT-SIZE: 130%; MARGIN: 0px auto 10px; WIDTH: 700px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/IckeShot.jpg" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Why is Icke’s WTC7 so far left of the CBS version? Why is every other building out of place? It must be all that “blooming,” right?&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Conclusion:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Marcus Icke should be commended. Were it not for his work, we may not have had enough information with which to rule out holograms.&lt;br /&gt;&lt;br /&gt;Of course he has to defend the MSM footage. Of course he has to attack anyone who presents evidence of TV-Fakery. Even when he (very recently) “questions” the ABC “Live” footage, his language is “Fetzeresque:”&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“Unless this stepping effect can be explained as a byproduct of the video recording process or an aerodynamic consequence of high speed flight then the Live Video can not be showing us a real aircraft. It is conceivable that the aircraft has been dubbed live into the video to conceal what was actually there and that this stepping effect could be the hallmark of the video technology that was utilised for this effect.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Of course, Icke doesn’t date any of his work – which may explain why the second sentence sounds like it was written as a direct result of reading the “Live CGI Insertion” section of my Pinocchio article.&lt;br /&gt;&lt;br /&gt;I have to give Marcus Icke credit for trying to be funny. Unfortunately for him, his weak defense of his own stance ends up being funnier than his mockery attempt.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Note:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Forgive me if I’ve made assumptions as to what Marcus’ stance actually is, but I’ve yet to see a single conclusion in any of his articles.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;/a&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2007/05/marcus-icke-writes-review.html' title='Marcus Icke Writes a Review'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=6212349790861248103' title='10 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/6212349790861248103/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/6212349790861248103'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/6212349790861248103'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-199127317071464123</id><published>2007-05-16T14:32:00.000-05:00</published><updated>2007-05-19T12:34:34.964-05:00</updated><title type='text'>Evan Fairbanks 9/11 Video Fakery: The Monitor Theory</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;Introduction:&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;According to &lt;/span&gt;&lt;a href="http://query.nytimes.com/gst/fullpage.html?res=9A07E0DC173AF931A15752C1A9679C8B63&amp;sec=&amp;amp;spon=&amp;pagewanted=2"&gt;&lt;span style="font-family:times new roman;"&gt;this New York Times article&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, Evan Fairbanks is a photographer who “had just emerged from Trinity Church, where he was videotaping the Archbishop of Wales.” Of course, later on in the article, he was said to have been “preparing to shoot a speech by the Archbishop of Wales.”&lt;br /&gt;&lt;br /&gt;I have no idea who Evan Fairbanks is or what he was doing on September 11th. What I do know is that &lt;a href="http://www.livevideo.com/video/F5061FCB97754E80A3AD82C7706A9400/evan-fairbanks-extra-plane.aspx"&gt;the “footage” that is said to have come from his camera&lt;/a&gt; is not real. I don't know this because of all of these videos I've been analyzing. I know this because I understand Newton's Laws (for more on this, see the afterward).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;The fact that this footage has been faked makes Sarah Boxer’s article a work of fiction – as if we would expect anything else from a member of the mainstream media.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Analysis:&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;Even before I considered that no planes hit the towers, I questioned the validity of this screenshot:&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/FairbanksScreenshot.jpg" border="0" /&gt;&lt;/a&gt; First of all, notice that there are TWO planes in this screenshot (the second plane is just above the “FBI agent’s” forearm).&lt;br /&gt;&lt;br /&gt;At first, I considered two possible explanations for this second plane:&lt;br /&gt;&lt;br /&gt;1.) That the second plane was added to the footage AFTER it was shown on ABC to confuse us&lt;br /&gt;2.) That the second plane was a somehow a reflection&lt;br /&gt;&lt;br /&gt;However, I was recently reviewing a VHS tape that my sister gave to me, on which she had recorded the evening news on 9/11. After watching this tape, I had to rule out the first possibility - as I’m relatively confident (pun intended) that my sister isn’t a perp.&lt;br /&gt;&lt;br /&gt;When left with only the second possibility, I was somewhat baffled as to how what looked like a white van could reflect the plane from that angle.&lt;br /&gt;&lt;br /&gt;Upon closer inspection, I saw something that I’d never seen before in any of the Fairbanks videos that I’d seen before. This discovery caused me to throw out my second possibility, and to create a third.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Analysis: A New Perspective&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;In the second photo below, I have enlarged the “reflection” and lined it up with the “impact” above it.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/SD_FairbanksTheory.jpg" border="0" /&gt;&lt;/a&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/SD_FairbanksTheory_Rev2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I believe that what I used to think was a van, is in actuality some form of a monitor (on a slight angle). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/FairbanksMonitor.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Now watch this video, which zooms in on the top of the “monitor” during the “impact.” And don’t worry – I’m sure that’s just a candy bar in the “FBI agent’s” hand.&lt;br /&gt;&lt;p&gt;&lt;a href="http://www.livevideo.com/video/C8E9BD6476324BD0A6878640A2961D8B/evan-fairbank-monitor-zoom-s.aspx"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 700px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://s113.photobucket.com/albums/n237/StillDiggin/FairbanksExitFireball.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Notice that on the “monitor,” there is no fireball that emerges from the east face of WTC2. Furthermore, the “exit fireball” isn’t representative of what is happening at the top of the screen.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Speculation:&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ordinarily, I like to end my articles with a conclusion. In this case, I offer a theory instead – since it’s often difficult to state the cause of an impossible image with absolute certainty.&lt;br /&gt;&lt;br /&gt;My theory is that what we are seeing on the “monitor” is a bluescreen layer that is being FED to the camera that is filming the “impact.” This would explain the appearance of the plane, and it would seem to indicate that the east-face explosion was real (since it wasn’t added on the same layer as the plane). Another possibility is that this video was created before 9/11. I mean, does the smoke coming out of WTC1 in the Fairbanks video look anything at all like this?&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/WTC1EastFace.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;How far off does a camera setting have to be to make black smoke appear to be white?&lt;/p&gt;&lt;p&gt;Again, this “monitor theory” is speculation. Until such time as somebody is able to come up with a more sensible theory that explains the presence of the second plane, this will be my belief.&lt;br /&gt;&lt;br /&gt;Remember that any theory that claims the second plane to be a reflection must account for the lack of an east-face fireball, as well as a much smaller exit fireball.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Afterward:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-family:Times New Roman;font-size:130%;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Those of us with a firm grasp on the truth have been forced to prove that all of these videos contain fake/CGI/cartoon planes because apparently, most Americans dozed off during Physics class in high school.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Now I realize I can't help everyone to understand Newton's Third Law - but I can try, using an example.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;Imagine yourself punching a steel beam (obviously, you're not going to damage it). That pain that you would feel in your fist and travelling up your arm is a direct result of Newton's Third Law: "For every action, there is an equal and opposite reaction."&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;Notice how this law has no "fine print" disclaimers, like "...unless that force is travelling at a very high speed" or "unless that force is applied in mid-air."&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;When applying Newton's Third Law to a plane crashing into box-steel beams, what must be realized is that all of the speed and momentum of the plane that seems to impress som many people, is applied to the surface area of the plane that would be in contact with the beams at the point of impact. Equal and opposite.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;In essence, the plane would be hitting itself with the same force it would be applying to the steel beams.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;If you don't understand this concept, then I'm sorry - you'll have to keep up with all the videos that have been proven to be fake.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;If you DO understand this, then you're fully armed with all the information you need to spread the truth - even if you've never watched a single video.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2007/05/evan-fairbanks-theory-under.html' title='Evan Fairbanks 9/11 Video Fakery: The Monitor Theory'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/199127317071464123/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/199127317071464123'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/199127317071464123'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-7112928261788525726</id><published>2007-04-14T08:55:00.000-05:00</published><updated>2007-06-30T05:23:21.549-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='911 TV-Fakery Hoax StillDiggin Logic 911Logic'/><title type='text'>The Earth Is Not Flat</title><content type='html'>&lt;span style="font-family:times new roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Introduction&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;I started this blog for one reason: to make what I discovered during my research available to the general public.&lt;br /&gt;&lt;br /&gt;If this is your first visit to this site, be prepared to have your sense of reality altered. After you review the information I have to present, you will know – as I do – that no planes crashed anywhere on September 11, 2001.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;No planes crashed anywhere on September 11th.&lt;/span&gt;&lt;/strong&gt; It’s a fact.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Exhibit A&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Being an engineer, all I needed was a nudge to see the truth. If a picture is worth a thousand words, then this was the picture that started it for me: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/impact.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Half in, half out… can I get a damage report? Let’s see… the plane appears to be fine – same goes for the tower. Notice how there’s no hole in the tower between the engines and the fuselage. This picture is representative of a pixel crash, not a plane crash.&lt;br /&gt;&lt;br /&gt;Like I said, this picture was the “nudge” that did it for ME. As an engineer, that’s what got me thinking about what would really happen if a plane were to actually strike the World Trade Center. Even with equations, I wouldn’t be able to convince most people that this image can’t possibly be real. This is why I do my best to steer clear of that and appeal to people’s common sense.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Exhibit B&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Speaking of common sense, consider these image sequences from CBS. The left hand side was first shown approximately 2 minutes after the live “event.” The right hand side was shown approximately 7 ½ minutes after the live “event.”&lt;br /&gt;&lt;br /&gt;To save space, I’ve lined up every 12th frame (0.4 seconds) starting 4 seconds prior to a breach of the north face of WTC2: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/T-4CBS.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;If you can’t see what I see, let me help. Look at only the top frame set: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/T-4CBS1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Now, imagine you’re holding the camera for the screenshot on the left. How far left do you suppose you’d have to walk to be able to see the “plane” on the opposite side of the other tower, as shown on the right? Do you think 45 degrees would do the trick? Maybe 30? How about 20? Well, according to my calculations, the difference between these two camera angles is only about 6 degrees. Even Kevin Bacon should know that 6 degrees isn't THAT much.&lt;br /&gt;&lt;br /&gt;Remember, these two frames represent the exact same moment in time. Given the speed of the plane and the distance of the camera, these would have to be two different planes for these videos to be real.&lt;br /&gt;&lt;br /&gt;Did five planes crash on 9/11? Of course not. No planes crashed on 9/11.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Exhibit C &lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;What could be more unbelievable than a 767 flying through the steel structure of WTC2 and coming out of the other side with a fully intact nosecone? How about the fact that there are no steel columns missing on the exit side?&lt;br /&gt;&lt;br /&gt;Rock breaks scissors, scissors cut paper, paper covers rock – and aluminum TRANSCENDS steel?&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/TheHoleThatWasNotThere.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Here we have yet another sequence of physically impossible images. Several videos clearly show a fully-intact “plane” exiting the north face of WTC2. For these images to be real, steel beams would have to be shorn, just as they seemingly were on the entry face. However, there are clearly no sections of steel beams missing from the picture on the right.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;You’ve Been Programmed&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;These three exhibits are just the tip of the iceberg. Read on through the rest of my articles and you will learn even more about the most important fact regarding 9/11:&lt;br /&gt;&lt;br /&gt;No planes crashed on 9/11.&lt;br /&gt;&lt;br /&gt;If you still doubt that fact after seeing the first three exhibits, ask yourself why.&lt;br /&gt;&lt;br /&gt;The answer twofold, yet simple: Repetition and Fear. The Repetition factor is obvious. The mainstream media replayed these fake videos relentlessly for weeks after 9/11. They interviewed what seemed like hundreds of people who eventually started to tell the same stories.&lt;br /&gt;&lt;br /&gt;The Fear factor is not as obvious. I’m not talking about the fear of terrorism. I’m referring to social fear – the fear of holding an opinion contrary to popular opinion. Millions of people have simply chosen to “go with the flow” in the absence of any contradictory evidence. "The Earth is Flat - because everyone else thinks it is."&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Luckily, you don't have to get on a ship and start sailing to prove them wrong. All you have to do is take a closer look.&lt;br /&gt;&lt;br /&gt;Was it the videos that made you believe in planes, or the words that were being spoken in the background? Was it the overwhelming testimony of all the “eyewitnesses,” or was it your conversation with your co-workers?&lt;br /&gt;&lt;br /&gt;You may ask: “What about all the eyewitnesses? Are you calling them ALL liars?”&lt;br /&gt;&lt;br /&gt;As a matter of fact, I am.&lt;br /&gt;&lt;br /&gt;There’s a plethora of them to choose from, and yes – they are ALL lying. As a matter of fact, even eyewitnesses that say they didn’t see the plane are lying about something. Perhaps more appropriately, they are “selling” lies. If they’re not selling planes, they’re selling confusion, which is just as effective by the time they pull together all of their “video evidence.”&lt;br /&gt;&lt;br /&gt;When I began to look into the background of the “eyewitnesses” who “called in” to the various networks, I invariably found that even those people who appeared to be “common folk” were anything but. They were either tied to the media or big business. Feel free to read through any one of my “eyewitness” report cards and bounce these stories against your personal “common sense.”&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;The Big Picture&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;So where does logic take us when we realize that no planes crashed on 9/11? For starters, that means there were no hijackers – which means every single detail about these hijackers has been fabricated out of nothing.&lt;br /&gt;&lt;br /&gt;No plane crashes means that all the damage was caused by something other than planes – pre-planted explosives – Hollywood style, with plenty of smoke. Did they use mini-nukes or microwave weaponry to bring down the towers? My money is on microwave weaponry, but I really don’t care.&lt;br /&gt;&lt;br /&gt;I also don’t care about other questions you may have, like what happened to the people who were supposedly on those planes. Two of these flights didn’t even exist. Well, if they can fabricate flights, why would they stop there? Of course, some of the people on these planes had to exist – but would it be unreasonable to assume that they could easily make up a hundred or so names?&lt;br /&gt;&lt;br /&gt;Dave Sturgeon, a school teacher, was 58 years old. He was survived by his wife, Barbara, and two children, Todd and Ellen. He was on his way to visit his brother in California.&lt;br /&gt;&lt;br /&gt;There. I just made one up. If I needed four – I’d have put his whole family on board with him. I’ll just come up with a grieving mother who can show up to attend the 9/11 commission hearings.&lt;br /&gt;&lt;br /&gt;Go ahead, call me insensitive. By nature, logic is insensitive. By all means, get good and angry – and then consider this:&lt;br /&gt;&lt;br /&gt;The media has put all of this in front of you. 9/11 was a “made for TV” movie. Fiction on TV doesn’t end when you turn on the Nightly News, it only becomes more creative.&lt;br /&gt;&lt;br /&gt;And who benefits? It’s actually harder to come up with a list of who doesn’t benefit.&lt;br /&gt;&lt;br /&gt;You can hardly turn the channel today without seeing terrorism. CSI, 24, the Nightly News – it’s everywhere. The only question I have about state-sponsored terrorism is whether the state is Nevada or Maryland.&lt;br /&gt;&lt;br /&gt;The department of Homeland Fraud - today’s terror threat level is green, which means they’re in your wallets. Oil companies, security companies, defense contractors. And why stop at just the US economy? Who’s making weapons for the other side? Who’s paying for their military endeavors?&lt;br /&gt;&lt;br /&gt;Global terrorism benefits everyone – except taxpayers.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Annoyances&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;I apologize for all the side-effects that this newfound knowledge may cause you. I can only speak for myself on exactly what they may be. In my case, I can’t watch many shows on television that I once enjoyed.&lt;br /&gt;&lt;br /&gt;I can’t watch the Nightly News on any channel without becoming disgusted by how stupid they expect me to be. &lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;And then there’s that pussy, Bill Maher, says that conspiracy theories about 9/11 can’t be true because they assume two things: that our government is competent and that they can keep a secret.&lt;br /&gt;&lt;br /&gt;Well, Bill – as difficult as it may be for you to comprehend, those two occurrences may be improbable, but the videos we were shown on television are IMPOSSIBLE. Impossible trumps improbable every time. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;This is the aspect that most people who rush to use Occam's Razor to defend the OGCT (Official Government Conspiracy Theory) forget to incorporate. No matter how simple a series of events may seem, if the result depends on one or more events that are deemed to be impossible, that theory must be discarded.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Besides, the only role the government played in 9/11 was spending our money and lying - and we all know that's just business as usual for them. How ironic that a man who once hosted a program called “Politically Incorrect” has now become so political and so incorrect.&lt;br /&gt;&lt;br /&gt;Carlos Mencia goes so far as to suggest that airport security should let all American-looking people walk to their seats and only check “Ragheads.” Carlos, if you’re reading this – know that I think you’re “Dee-Dee-Dee.” Get a clue. Planes had nothing to do with 9/11.&lt;br /&gt;&lt;br /&gt;No planes crashed on 9/11.&lt;br /&gt;&lt;br /&gt;They blew up the towers. They showed us some movies. They hand-picked some storytellers. They made up some hijackers. And over five years later, they’re still trying like hell to sell this lie.&lt;br /&gt;&lt;br /&gt;Who is they? Start with the media/eyewitnesses, and work your way back. It’s that simple.&lt;br /&gt;&lt;br /&gt;I don’t understand why so many people are busy worrying about HOW they blew up the towers. I have no clue why people are so worried about what the so-called leaders of the 9/11 truth movement are up to.&lt;br /&gt;&lt;br /&gt;If you want to be productive, spread the word that no planes crashed on 9/11. Make that common knowledge, and I promise you – the rest will take care of itself.&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Conclusion&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;My work here is as complete as it needs to be to prove that the only plane we saw on 9/11 was nothing more than various CGI images of a plane disappearing into WTC2. It shouldn't take a genius to connect the dots and realize that if they faked that "crash," then the other "crashes" were also just "stories."&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;In my opinion, there is no benefit in pursuing any other aspects of 9/11 until this fact becomes common knowledge. I would urge any of the upcoming talented video creators to use any of the concepts and/or imagery from my articles to help in making this common knowledge.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;If you were to build a house of cards with all the lies and disinformation floating around about 9/11, this is the one card that will bring the entire house down. That is why I have never strayed from my efforts to prove this, regardless of how easy it would be to prove other falsehoods.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Of course they blew up the towers. Of course nothing crashed into the Pentagon. Of course nothing crashed in Shanksville. Of course the 9/11 Truth Movement is infested with people spewing even more lies than the original story.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;None of that means anything... until you can prove that it all began with a Hollywood explosion.&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;Now get out there and spread the word. If anyone needs anything more from me, ask me in the comment section.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;For Your Review&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;font-size:130%;"&gt;&lt;strong&gt;"Eyewitnesses"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/10/911-wnyw-fox5-blooper-jim-friedl.html"&gt;"Jim Friedl"&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards.html"&gt;Rose Arce&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_05.html"&gt;Theresa Renaud&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_07.html"&gt;Richard Davis&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_12.html"&gt;Don Dahler&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_16.html"&gt;Kai Simonsen&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_17.html"&gt;Libby Clark&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-fairy-tales-installment-i-nypd.html"&gt;"NYPD Craig"&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;font-size:130%;"&gt;Just Plane Fact&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/10/911-tv-fakery-hunt-boeing-wtc-2.html"&gt;Pythagoras&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/11/911-tv-fakery-whistleblower-pinocchio.html"&gt;Pinocchio I&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/11/911-tv-fakery-whistleblower-pinocchio_17.html"&gt;Pinocchio II&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/12/911-tv-fakery-pinocchio-part-iii.html"&gt;Pinocchio III&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2007/01/911-tv-fakery-45-degree-ua175-flight.html"&gt;Flight Path Fallacy&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;font-size:130%;"&gt;&lt;strong&gt;Media Madness&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://911logic.blogspot.com/2006/11/911-cnn-pipeline-as-media-wants-you-to.html"&gt;CNN Pipeline&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2007/04/earth-is-not-flat.html' title='The Earth Is Not Flat'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=7112928261788525726' title='16 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/7112928261788525726/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/7112928261788525726'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/7112928261788525726'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116776729178655096</id><published>2007-01-02T14:35:00.000-05:00</published><updated>2007-01-03T12:32:45.886-05:00</updated><title type='text'>9/11 TV-Fakery: 45 Degree UA175 Flight Path Discrepancy?</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Something has always bothered me about the work of Marcus Icke and Stephan Grossman. Here we have a case of individuals having the wherewithal to not only model the exact layout of the towers, but also overlay accurate plane models on top of the inserted plane CGI’s.&lt;br /&gt;&lt;br /&gt;I’ve often wished that I had that model at my disposal so that I could use it properly. Instead of using it to try to sell hologram disinfo, the first thing I would do with that model is to flip to a plan view (view from directly above). From there, I would be able to demonstrate how vastly different all the flight paths of these cartoon planes are.&lt;br /&gt;&lt;br /&gt;Well, rather than waiting for Icke and Grossman to retract their hologram disinformation, I decided to create my own plan view using a simple 2D drawing.&lt;br /&gt;&lt;br /&gt;The 2 videos I will be comparing in this article are the &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=Mdkyk1up4ZA"&gt;&lt;span style="font-family:times new roman;"&gt;CBS live broadcast (Part 2)&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; and &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=383SNILjf8I"&gt;&lt;span style="font-family:times new roman;"&gt;wtc2-strike7&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;. The reason I have chosen these 2 videos is because although the camera angles aren’t that dissimilar, the CGI’s are visible on opposite sides of the towers.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Just as in Pinocchio Part III, I will be using the first visible breach of the north face of WTC2 as a time marker – only this time, I’ll be winding the clock backwards.&lt;br /&gt;&lt;br /&gt;From the CBS footage, we can observe the first breach of WTC2’s north face in a full-speed replay at frame 6913. The frame rate of this video is 15 frames per second. Winding the clock back 3 seconds (45 frames), we can see that the CGI is just disappearing behind WTC1 in frame 6868.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/CBSFrames.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;As much as I try to keep my proofs as simple as possible, sometimes I am forced to resort to math. Please forgive me, as unfortunately, this is one of those times.&lt;br /&gt;&lt;br /&gt;The first thing I need to calculate is how far from the towers a “real plane” would have been three seconds before reaching the north face of WTC2. As always, I will use the worst case scenario for my theory. Even though almost all estimates of the “plane’s” velocity are lower, I will assume a velocity of 567.27 mph.&lt;br /&gt;&lt;br /&gt;The reason I chose this velocity is because it works out to exactly 12 building widths, making it easily scalable in my future diagrams. This works out to 832 feet/second, or 2496 feet over 3 seconds.&lt;br /&gt;&lt;br /&gt;We can calculate the camera angle relative to WTC2 by counting the number of pixels of each face. I counted 8 pixels for the east face and 39 pixels for the north face from frame 6868. This works out to an angle of about 11.5 degrees (tan 11.59 = 8/39). Since the distance from the camera to the towers is so great, I won’t bother to increase the angle relative to WTC1.&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 360px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/CBSpx.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Using this information, I can now place the CGI in my plan view by setting it 12 building widths south of the north face, and on an 11.5 degree angle to the corner of WTC1, as shown below. The only other information required was the space between the towers. For my plan view, I used a spacing of 128ft north-to-south and 20ft east-to-west. Of course, I used 208ft for the tower widths.&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/CBSPlan.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Using the same method to determine the camera angle from frame 190 of wtc2-strike7, I counted 54 pixels for the east face and 124 pixels of the north face. This works out to a camera angle of 23.5 degrees (tan 23.53 = 54/124).&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 360px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/strike7px.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Let’s see what happens when we project a line at 23.5 degrees to the south corner of WTC2:&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/2videoplan.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;This diagram shows that three seconds prior to the breach of the north face of WTC2 in wtc2-strike7, the “plane” should either not be visible at all or it should just barely line up with the left edge of WTC2.&lt;br /&gt;&lt;br /&gt;Turning now to the wtc-strike7 video, we can observe the first breach of WTC2’s north face in frame 198. The frame rate of this video is 30 frames per second. When we wind the clock back 3 seconds (90 frames), this is what we see:&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/strike7Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;As you can see, the “plane” is nowhere near the edge of WTC2. In fact, it appears to be approaching on a line as much as 45 degrees farther east than it was in the CBS video.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Conclusion&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;I am beginning to lose count of how many methods I’ve used to prove that this “plane” was a CGI.&lt;br /&gt;&lt;br /&gt;Feel free to draw your own plan view and perform your own calculations if you like. Since the “planes” in these videos are both clearly visible, there is no way of refuting this particular proof. On that point, I challenge all comers.&lt;br /&gt;&lt;br /&gt;Before anyone dares to challenge this analysis, remember that any real plane, had it been traveling any slower than 567mph, would certainly not have been visible at all in the wtc2-strike7 video.&lt;br /&gt;&lt;br /&gt;Similarly, any distance between the towers greater than the 128ft north-to-south and 20ft east-to-west would also further obscure the CGI in wtc2-strke7.&lt;br /&gt;&lt;br /&gt;Also remember that in order to refute my conclusion, you must prove that my margin of error is in the neighborhood of 45 degrees.&lt;br /&gt;&lt;br /&gt;Good luck!&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Correction&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;My "guestimate" of 45 degrees was based on my assumption of the proximity of the camera. However, after the "action" is over with in wtc2-strike7, the camera zooms out, revealing a much greater distance than I had originally assumed.&lt;/p&gt;&lt;p&gt;Based on a revised estimate of camera distance (1 mile away), I am retracting my 45 degree "guestimate," and replacing it with a much better founded discrepancy of 10 degrees, based on the following information/calculations:&lt;/p&gt;&lt;p&gt;In frame 108, the nose of the plane is 185 pixels from the south corner of WTC2.&lt;/p&gt;&lt;p&gt;The east face, when viewed from 23.5 degrees, would appear to be only 83 feet (208 sin 23.5). If 54 pixels represents 83 feet, then 185 pixels would represent 284 ft.&lt;/p&gt;&lt;p&gt;Projecting a line from a camera position 1 mile away through a point 284 feet from the south corner of WTC2 and ending 12 building widths past the north face, this yields a "plane position" which is 463 feet away from the "CBS Plane."&lt;/p&gt;&lt;p&gt;Calculating the angle based on the "final destination" on the north face of WTC2, I arrived at a discrepancy of 10 degrees:&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/10Deg.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I have admitted that my "guestimate" was not very accurate, based on an incorrect assumption of the camera distance. However, this does not change my conclusion at all. These are still two very different flight paths, as indicated by the&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:times new roman;"&gt; diagram above. &lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;I was going to change the title of this article, but since I worded it as a question, I decided against it. My point is still the same: These images are CGI's, not planes.&lt;/span&gt;&lt;/p&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2007/01/911-tv-fakery-45-degree-ua175-flight.html' title='9/11 TV-Fakery: 45 Degree UA175 Flight Path Discrepancy?'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=116776729178655096' title='22 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/116776729178655096/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/116776729178655096'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/116776729178655096'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116732016190332805</id><published>2006-12-28T10:32:00.000-05:00</published><updated>2006-12-29T10:52:58.950-05:00</updated><title type='text'>9/11 Fairy Tales - Installment I: "NYPD Craig"</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;As I was reading through some of my old posts at breakfornews.com, I stumbled across a list of eyewitness links offered up by my old pal, Stallion4. One of these links directed me to a blog on &lt;a href="http://911blogger.com/node/3094"&gt;911blogger&lt;/a&gt;, which was basically a cut and paste job of a MySpace page.&lt;br /&gt;&lt;br /&gt;After reading this guy’s story, I felt obligated to get this page removed from the web – especially after reading all of the sappy reaction comments by people who obviously lack the attention to detail required to see this man’s story for what it is: pure fiction.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;This isn’t a difficult lie to expose. In fact, all I have to do is post &lt;/span&gt;&lt;a href="http://blog.myspace.com/index.cfm?fuseaction=blog.view&amp;friendID=102815&amp;amp;blogID=85663937&amp;amp;MyToken=7c2cfb85-66aa-4f8e-bd09-a24764f15713"&gt;&lt;span style="font-family:times new roman;"&gt;a link to the story&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; and even the average 9/11 researcher will catch the blatant lie.&lt;br /&gt;&lt;br /&gt;Forget the nonsense about working a different shift, talking to his mom, etc. It’s not even about the lack of a “little old lady” under the engine on Church Street. It’s about chronology.&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;“I heard a deafening explosion, and remember flinching as the first plane struck the north tower of the World Trade Center. You couldn’t really see the towers from where I was standing, which were only a few blocks away. However my peripheral vision caught an orange halo up and to my left. I remember some black streak too, which crossed my vision from left to right, but I can't be sure of that memory. The next thing I remember was a sound, not unlike a serious car accident, just one block west of me on Church Street. My radio exploded just then. I said out loud, "What the fuck is going on"? With my mother still on the phone, I started running west, from Broadway to Church Street.&lt;br /&gt;&lt;br /&gt;Having been assigned to the Transit Bureau in the NYPD, I have seen people cut in half by trains, people bleeding out from wounds, compound fractures caused by people just being in a hurry, and countless other morbid forms of human tragedy. You do not expect to see half of a smoking airplane engine on the ground, in front of the Burger King you eat at least once a week. I'm sorry, but nothing prepares you for that. Even worse, I did not expect to see the remains of what I believed was a little old woman, under half of an airplane engine, either. As I stared at the smear that was alive thirty seconds prior, I lifted the phone to my ear and remember wincing at the heat emanating off of the wreckage in front of me.”&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Later on, “Craig” talks about being knocked unconscious after the “second plane impact.” Of course, I can’t bring myself to believe a single word of this story, since he expects us to believe that the engine at the corner of Church Street and Warren Street came from the “first plane.”&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Conclusion&lt;/span&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;If the comments below the story on that page are from real people, this is yet another example of how willing people are to gobble up every single 9/11 lie they are offered.&lt;br /&gt;&lt;br /&gt;The goal of this article is to have this story permanently removed from the internet. Time will tell if I am successful in this endeavor.&lt;/span&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2006/12/911-fairy-tales-installment-i-nypd.html' title='9/11 Fairy Tales - Installment I: &quot;NYPD Craig&quot;'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=116732016190332805' title='5 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/116732016190332805/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/116732016190332805'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/116732016190332805'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116689277113633775</id><published>2006-12-23T11:49:00.000-05:00</published><updated>2006-12-28T10:41:59.346-05:00</updated><title type='text'>9/11 TV-Fakery: Pinocchio - Part III: Screwing Up the Cover-Up of the Cover-Up of the Screw-Up</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction –&lt;/span&gt; The “Venus Plane Trap”&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;One of the problems that all of the post production video editors faced when inserting the “nose-out” into all of these videos is that they also had to make it “go away.” It was easy enough for them to make it appear as though 50+ feet of fuselage came out fully-intact from the other side, but to make it “disappear” required a little more creativity.&lt;br /&gt;&lt;br /&gt;That’s right folks, Pinocchio has returned to expound upon yet another detail of the post-production fakery: The “Venus Plane Trap.”&lt;br /&gt;&lt;br /&gt;The “Venus Plane Trap" was originally present only in the “Gamma Press” post-production video. This video can be viewed &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=cpw4FZcfiqM"&gt;&lt;span style="font-family:times new roman;"&gt;here&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.&lt;br /&gt;&lt;br /&gt;Although I've already referred to this video in Part II of the Pinocchio series, I only covered my analysis of the actual protrusion ("nose-out") at that time. In an effort to keep the article short, I decided to save my "issues" with the fireball for a later time.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; The "Venus Plane Trap"&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Picking up where I left off, the last frame of this video that I presented in Part II was frame 84. This is essentially the peak of Pinocchio’s prominence in this video: &lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 360px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Frame84.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;After this point of the video clip, Pinocchio is “swallowed” by a bright yellow parabola of Flame-Fakery that I have dubbed the “Venus Plane Trap.” Let’s take a look at a few frames of this Flame-Fakery, shall we?&lt;br /&gt;&lt;br /&gt;From frames 92 through 101, it is obvious to see the difference between the actual explosion and the inserted Flame-Fakery:&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/VenusPlaneTrap.jpg" border="0" /&gt;&lt;/a&gt;This theory is easily verified by establishing the absence of the Venus Plane Trap in most of the other videos that have been released. However, before I do that, I want to point out another aspect of this video that proves this portion of the fireball is 2-dimensional.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis – &lt;/span&gt;Spatial Ambiguity&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Because I prefer to use numbers that are the least favorable to my theories, I will maintain my estimate from Part II that the side of the “fuselage” that is closest to the corner is 10 feet away from it. I will make this assumption in spite of this picture, which clearly shows (amongst other things) that it would have had to be closer than that.&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/FromNISTpg10.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;In order for the “Venus Plane Trap” to obscure the “fuselage” from the vantage point of the camera, it would obviously have to be closer to the corner than the “fuselage,” even at the tip of the protrusion.&lt;br /&gt;&lt;br /&gt;So how can a fireball that supposedly originated from inside the towers obscure a “plane” that is no farther than 10 feet away from the corner, yet NOT obscure the darker (real) fireball that has originated from just inside the corner? No matter how bright this fireball is, it is certainly not transparent. The fact that we can still see the darker fireball which is clearly coming from the north face indicates that it would be closer to the camera than the bright yellow “Venus Plane Trap.”&lt;br /&gt;&lt;br /&gt;If the tip of the protrusion is no farther than 18 feet from the corner (10ft away + 8ft fuselage radius), how wide do you suppose this “Venus Plane Trap” would have to be at the “exit face” for its “mouth” to be swallowing the fuselage tip over 50 feet away? Surely larger than 18 feet, wouldn’t you think?&lt;br /&gt;&lt;br /&gt;The impossibility of this phenomenon has but one clear explanation: The “Venus Plane Trap” must be a 2-dimensional fake fireball that was inserted during the post-production editing process.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis – &lt;/span&gt;Simplifying to 3 Frames&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;This “Gamma Press” video has a frame rate of 25 frames/second. The “fuselage” emerges from the “exit face in frame 80. By frame 87, the fake flame has advanced farther than the real flame. At the latest, the “Venus Plane Trap” reaches the plane of the south face of WTC1 by frame 98.&lt;br /&gt;&lt;br /&gt;This means that when we go looking for the Venus Plane trap in other videos, it should be clearly visible between 0.28 and 0.72 seconds after the first breach of WTC’s north face (7f / 25f/s = 0.28,18f / 25f/s = 0.72).&lt;br /&gt;&lt;br /&gt;The screenshots I will be presenting in the next section are taken from some of the earliest replays we were shown. Of course, I would have preferred to use only “live” video, but for some reason, there doesn't appear to be a single nationally broacast “live” angle that provides a view of either the “impact” face or the “exit” face (hmmm).&lt;br /&gt;&lt;br /&gt;In each set, the screenshot on the top left will represent the first frame in which the north face has been breached, the bottom screenshot depicts what the fireball looks like 0.28 seconds after the breach, and the screenshot on the top right will represent what is happening 0.72 seconds after the breach.&lt;br /&gt;&lt;br /&gt;What we’ll be looking for in these frames is consistency with what we see here: &lt;/p&gt;&lt;p&gt;&lt;/span&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Gamma3Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; A Look at Live Shots, Replays, and Early Videos &lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;If the Venus Plane Trap were real, we would expect to be able to clearly differentiate between the bright yellow fireball and the rest of the explosion after 0.72 seconds. The most telling frame will be after 0.28 seconds, which is why I have chosen to blow it up to 2x. In this frame, we should also still be able to see the “nose-out” from virtually any angle. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a href="http://www.youtube.com/watch?v=Mdkyk1up4ZA"&gt;&lt;em&gt;As it Happened CBS Part 2&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;/span&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/CBS3Frames.jpg" border="0" /&gt;&lt;/a&gt; &lt;span style="font-family:times new roman;"&gt;This CBS replay is very distant, but I can't see the "nose-out" or the lighter color of the "Venus Plane Trap." If anything, the north face fireball appears to be darker than the fireball exiting the east (left hand) face. We need to get closer...&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a href="http://www.youtube.com/watch?v=PS8TBZdot5I"&gt;&lt;em&gt;WPIX Part 1&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/WPIX3Frames.jpg" border="0" /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;This is a much clearer view. Once again, I don't see a "nose-out" or a "dust snail." The "Venus Plane Trap" doesn't appear to be present either, and the fireball colors look uniform.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=exl58qsLDh8"&gt;&lt;em&gt;CNBC&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/CNBC3Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Pretty much the same as WPIX, only lower resolution. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a href="http://www.youtube.com/watch?v=rDNcjxFoAkk"&gt;&lt;em&gt;CNN Exclusive&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Exclusive3Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;The frames in this video seem to be all messed up. Some are duplicated, and some seem to be skipped. There must be more skipped frames than duplicate frames, because the entire event occurs too quickly. Notice how advanced the entire fireball is after only 0.72 seconds. Once again, the exit fireball appears darker on the north face. There appears to be a "nose-out," but I can't see a "Venus Plane Trap." &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;Another oddity in this video is the crooked foreground building, with a higher resolution on its right side than its left. I'm already covering plenty of ground in this article without going into that, so I'll stop at just mentioning it.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a href="http://www.youtube.com/watch?v=aR183M_VJas"&gt;&lt;em&gt;Evan Fairbanks&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Fairbanks3Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;This is the clearest view yet of the "nose-out," yet once again, the "Venus Plane Trap" fails to make an appearance. Fireball coloration appears close to being uniform on both faces.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis - &lt;/span&gt;Summary of Comparisons&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;The "Gamma Press" / KTLA footage shows the clearest view of both the "nose-out" and the "Venus Plane Trap." In fact, I found no trace of the latter in any other "live," replayed, or early "amateur" video. The closest angle I was able to find was the Evan Fairbanks footage, which shows the "nose-out," but not the "Venus Plane Trap."&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Identifying the Second Generation Videos&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;As I pointed out in Pinocchio: Part II, the absence of a hole in the North face of WTC2 proves that what is shown protruding over 50 feet out of this face cannot possibly be a fully-intact nosecone and fuselage.&lt;br /&gt;&lt;br /&gt;Given more time to evaluate the scenario, I find it difficult to believe that the perps wouldn’t have realized this obvious problem. In the second generation “wtc2-strike” videos (I believe released by indymedia), they attempt to kill two birds with one video series (in actuality, I’m sure they attempted to fix more than just those 2 elements).&lt;br /&gt;&lt;br /&gt;The two main “birds” they needed to address were the physical impossibilities of both the 50+ feet of protruding “plane” and the “Venus Plane Trap.” I believe that “&lt;a href="http://www.youtube.com/watch?v=383SNILjf8I"&gt;wtc2-strike-7.avi&lt;/a&gt;” was specifically created as a preemptive measure for the inevitable day when these physical impossibilities would be pointed out.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;When I use the same 3-frame analysis technique as I did in the last section, notice how prominent the "Venus Plane Trap" is in this video:&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;/span&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Strike7Frames.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;Notice also how they have magically transformed the “nose-out” into a “dust snail.” They're trying to kill Pinocchio! They worked so hard to cram him in, and now they're trying to give him a makeover. Is anyone in here falling for that trick? &lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;They've chosen to solve their aforementioned "spatial ambiguity" problem by moving the darker fireball to the east, making room for the 3D version of the "Venus Plane Trap." Watch as they "walk it to the east" while&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; we take a look at a critical 10-frame sequence of this obvious forgery:&lt;/span&gt; &lt;/p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;a&gt;&lt;span style="font-family:times new roman;"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/SnailSwallow.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;I’ve dubbed this video “Snail Swallow.” The "Venus Plane Trap" has been brought to life here as well. Seemingly, it notices the "dust snail" next to it and turns its head before swallowing the snail whole.&lt;br /&gt;&lt;br /&gt;When looking at this frame-by-frame, it is easy to lose a sense of the speed at which this “dust snail” would have been traveling. This is because (just like the fuselage it is attempting to replace) the "dust snail" clearly isn't anything real.&lt;br /&gt;&lt;br /&gt;Remember, they &lt;strong&gt;&lt;em&gt;NEEDED&lt;/em&gt;&lt;/strong&gt; to make this new video because at some point, they realized that someone was going to notice that there wasn’t a hole in the exit face of WTC2 to accommodate the exit of a fully-intact fuselage (or any other solid entity).&lt;br /&gt;&lt;br /&gt;The only logical alternative to a solid was dust (that cop from Terminator II was busy). In order to make sure we can identify this new “snail form” as dust rather than a solid, they have gone out of their way to create neat little pockets of dust clouds within the overall "fuselage" shape.&lt;br /&gt;&lt;br /&gt;The utter absurdity of this video lies in its entire depiction of the “exit scenario.” It is absurd that dust traveling in excess of 300mph would not only maintain its shape, but that it will form neat little "pockets" (with no motion- blur). Was it wearing a dust condom?&lt;br /&gt;&lt;br /&gt;All other dust/debris from every other face is being dispersed as it is propelled by explosions, yet this “dust snail” is apparently immune. Wouldn't that dust be pushed eastward along with the fireball that they needed to move? Perhaps it was too busy performing its plane impersonation to be affected by mere explosions?&lt;br /&gt;&lt;br /&gt;In addition to this absurdity, the behavior of the fireball is equally unbelievable. The draft force of a real fireball would have acted upon the “dust snail,” pushing it aside and dispersing it at the same time – as opposed to "swallowing it whole."&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Conclusion&lt;/span&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;This video was clearly created to offset the impossible aspects of the “Gamma Press” and KTLA “footage.” This newer video also contains the same premature shadow as the KTLA angle, which spans the entire length of the tower much too early, given that the sun angle relative to this face was 13 degrees:&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;a&gt;&lt;span style="font-family:times new roman;"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/PrematureShadow.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;We should expect to see these carry-over errors, since this is an attempt at forging a forgery. They are unable to correct the errors of the original forgery, since doing that would present inconsistencies, thus invalidating both. Of course, invalidating both generations of these videos is the very purpose of this article.&lt;br /&gt;&lt;br /&gt;In summary, with every attempt to cover up these CGI’s, the truth becomes more and more evident. Similarly, with each attempt, the motivation behind their actions also becomes more evident.&lt;br /&gt;&lt;br /&gt;The fact that nothing at all hit WTC2 is the one aspect of 9/11 that they are trying to prevent us from finding out about &lt;strong&gt;&lt;em&gt;AT ALL COSTS&lt;/em&gt;&lt;/strong&gt;, because it exposes the most lethal weapon they have at their disposal: the mainstream media.&lt;br /&gt;&lt;br /&gt;The value of this weapon is exemplified by how much time, money, and effort they have expended in their attempts to “undo” the single FOX blooper video captured by Chopper 5.&lt;/span&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2006/12/911-tv-fakery-pinocchio-part-iii.html' title='9/11 TV-Fakery: Pinocchio - Part III: Screwing Up the Cover-Up of the Cover-Up of the Screw-Up'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=116689277113633775' title='16 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/116689277113633775/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/116689277113633775'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/116689277113633775'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116638040340086592</id><published>2006-12-17T13:31:00.000-05:00</published><updated>2007-05-14T09:03:36.338-05:00</updated><title type='text'>"Libby" Clark: 9/11 Eyewitness Report Cards, Installment VI</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Foreword&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;After reflecting upon the chain of logic I followed in order to determine the identity of this “eyewitness,” I decided it was interesting enough to present alongside the actual details of the information. In fact, it’s almost impossible for me to present the information without also explaining how I acquired it.&lt;br /&gt;&lt;br /&gt;By slightly altering the presentation format for this installment, I hope to give readers a little insight into the way that I approach problems in general. I’ve intentionally left this installment “unfinished,” so I can offer a challenge to all comers to “fill in the blanks.” So without further ado, let’s get on with this installment.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction –&lt;/span&gt; “Libby” Clark&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;“Libby” Clark offered the first “eyewitness account” of the “first plane” on WABC. Her story, at least the beginning of it, can be heard in &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=Y964BRwVN4g"&gt;&lt;span style="font-family:times new roman;"&gt;this video&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.&lt;br /&gt;&lt;br /&gt;If you clicked on the link, you may have noticed that "Libby" gives us very little information about who she is and where she was when she saw what she says she saw (she also doesn’t mention if she sells seashells by the seashore).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Approach –&lt;/span&gt; Establish All Known Information (regardless of importance or validity)&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;“Libby” defines her location as “the 33rd floor of Mercer Street.” This is an odd way for someone to describe their location, isn’t it? This is hardly enough information to pinpoint her actual location, right? Not so fast…&lt;br /&gt;&lt;br /&gt;Trying to find a person in New York with no information is like looking for a needle in a haystack. However, if you have a street and an elevation, the simile becomes more like looking for a golf ball that you just sliced into the woods. You know the general line it went in on - you’re just not sure how far it went in.&lt;br /&gt;&lt;br /&gt;The golf ball simile fits perfectly for me, because even when I know there isn’t a chance in hell I’m ever going to find my golf ball, I feel I’ve developed a close enough relationship with it after a few holes to warrant a courtesy drive-by search.&lt;br /&gt;&lt;br /&gt;Lo and behold, when I look down the length of Mercer Street using Google Earth, I see only 4 buildings that look like they may have a 33rd floor:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/300MercerGoogle.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;Three of those buildings are NYU housing facilities (including the “Silver Towers” @100 &amp; 110 Bleecker St). As luck would have it, all three of these buildings are only &lt;/span&gt;&lt;a href="http://www.nyc-architecture.com/GV/GV016UniversityVillage.htm"&gt;&lt;span style="font-family:times new roman;"&gt;32 stories high&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.&lt;br /&gt;&lt;br /&gt;This leaves 300 Mercer Street as the only possible building that “Libby” could have been in if she was on the “33rd floor of Mercer Street” and had a view of the towers.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Persistence –&lt;/span&gt; Follow the Trail&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Now that we have a location, it’s time to gather more information. We can start by having a look at the building using Virtual Earth:&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 640px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/300MercerVirtual.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;In this case, there happens to be plenty of information available, since &lt;/span&gt;&lt;a href="http://www.300mercer.com/"&gt;&lt;span style="font-family:times new roman;"&gt;this building has its own website&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.&lt;br /&gt;&lt;br /&gt;The fact that they have a doorman and a rooftop pool isn’t terribly important, but it gives us a general idea of the income required to be able to afford living there. A very helpful bit of info is the floor plan. Based on a standardized layout, we can assume that “Libby" was on the 33rd floor between units E and J:&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/300MercerFloorPlan.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;They are also kind enough to provide us with an interactive pool view, from which we can get an idea of what “Libby” would have been able to see from her vantage point, looking to the south:&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/ViewFrom300MercerRoof.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Resourcefulness –&lt;/span&gt; Use Every Available Tool&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;I decided I knew enough to perform a reverse address search. From that search (which yielded &lt;/span&gt;&lt;a href="http://www.whitepages.com/9900/search/ReverseAddress?housenumber=300&amp;street=Mercer&amp;amp;city_zip=New+York&amp;state_id=NY"&gt;&lt;span style="font-family:times new roman;"&gt;over100 results&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;), the first thing I was able to determine was the apartment number format. After going through the entire list, there were only three names listed on the 33rd floor, (two in 33I and one in 33J). Furthermore, there was not a single “Clark” result at all.&lt;br /&gt;&lt;br /&gt;After finding far too many Clark results for the entire city of New York and no Libby, L., Elizabeth, or E. Clark anywhere near there, I finally hit on a winning combination. Using only the last name and the street name, I came up with one result:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.whitepages.com/9900/log_feature/adv_search_w_email/search/FindPerson?firstname_begins_with=1&amp;amp;firstname=&amp;name=clark&amp;amp;housenumber=300&amp;street=mercer&amp;amp;city_zip=ny&amp;state_id=NY&amp;amp;default_listing=phone&amp;listing=mixed"&gt;&lt;span style="font-family:times new roman;"&gt;James Clark&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;: [undisclosed] Mercer Street, New York, NY 10003.&lt;br /&gt;&lt;br /&gt;Upon closer scrutiny, this address ends up being far from undisclosed. I pulled up a map of the 10003 Zip Code, and as it turns out, only the two northernmost blocks of Mercer Street fall inside the 10003 Zip Code boundaries:&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/10003ZipCodeMap.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;300 Mercer Street is not only within these 2 blocks, it also happens to be one of the only buildings that isn’t a commercial business site or an educational institution (NYU):&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/300MercerZillow.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Profiling –&lt;/span&gt; Know Your Mark (or in this case, your Clark)&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;That was enough for me to go searching for notable James Clark’s in New York. Based on all prior "eyewitnesses," I was looking for links to the media, financial institutions, or a law firm.&lt;br /&gt;&lt;br /&gt;I found a couple of interesting candidates when I Googled “James Clark NY.” There is a James Clark who founded Silicon Graphics, Netscape, Healtheon (now WebMD) and myCFO. He is also on the board of Shutterfly, myCFO and DNA Sciences. This sounded promising, but after reading the actual article, I found it difficult to believe that this was the Clark I was looking for. &lt;/p&gt;&lt;p&gt;Another result that caught my attention was a &lt;/span&gt;&lt;/p&gt;&lt;a href="http://query.nytimes.com/gst/fullpage.html?res=9F0CE0DF133DF932A05752C0A965958260"&gt;&lt;span style="font-family:times new roman;"&gt;NY Times wedding announcement&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;. The wedding announcement result reminded me that the initial reason I was searching for James in the first place was because of his wife. Granted, this wedding announcement was back in 1993; but after taking a minute to read the jobs of everyone in both of these families, these people seem to fit the profile of some of the earlier “eyewitnesses.”&lt;br /&gt;&lt;br /&gt;If you take a look at &lt;/span&gt;&lt;a href="http://query.nytimes.com/gst/fullpage.html?res=940DE3D9123AF932A15751C0A96E948260"&gt;&lt;span style="font-family:times new roman;"&gt;who Evan's sister married&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; a few years earlier (also announced in the NY Times), it’s difficult to ignore the apparent marriage strategy of the Freehill family. All the while, from Darien, CT to the Big Apple - &lt;/span&gt;&lt;a href="http://www.freehill.com/"&gt;&lt;span style="font-family:times new roman;"&gt;daddy’s law firm&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; continued its rise to prominence.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Conclusion Contest&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Here’s where I’m really deviating from the norm. All I have presented here is half a story. I’ve been so impressed by the follow-up work that’s been done by others after some of these articles (most notable is Fred’s follow-up on Richard Davis and Bessemer Trust) that I’ve decided to go interactive with this installment.&lt;br /&gt;&lt;br /&gt;I’ve set up a temporary hotmail address where I’ll be accepting &lt;strong&gt;&lt;em&gt;YOUR&lt;/em&gt;&lt;/strong&gt; analyses and conclusions with regard to “Libby” Clark. Please submit your research to &lt;/span&gt;&lt;a href="mailto:LibbyClarkSubmissions@hotmail.com"&gt;&lt;span style="font-family:times new roman;"&gt;LibbyClarkSubmissions@hotmail.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;.&lt;br /&gt;&lt;br /&gt;My half story is missing some critical information/validation, including:&lt;br /&gt;&lt;br /&gt;Is “Libby” really Evan Marie Clark (nee Freehill), who seemingly changed her name to Evan F. Clark in 2001?&lt;br /&gt;&lt;br /&gt;Where exactly was she?&lt;br /&gt;&lt;br /&gt;What doesn’t make sense about her “eyewitness account?”&lt;br /&gt;&lt;br /&gt;Did she lie about feeling/seeing a plane on behalf of her husband, her father, or do you think she acted alone?&lt;br /&gt;&lt;br /&gt;Why would anyone name their child Siobahn?&lt;br /&gt;&lt;br /&gt;(That last tidbit, complete with Evan’s e-mail address, comes from &lt;/span&gt;&lt;a href="http://cornell-magazine.cornell.edu/Archive/2002mayjune/notes/1980to1989.html"&gt;&lt;span style="font-family:times new roman;"&gt;here&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;)&lt;br /&gt;&lt;br /&gt;I’ve set the pins up, and I’m asking you to knock them down. I have nothing to reward you with but credit and praise (and maybe some podcast airtime). If you believe in my approach, I should hope that would be enough. I will post the winning submission on January 1, 2007, in addition to presenting any unique viewpoints I come across in your e-mails.&lt;br /&gt;&lt;br /&gt;If I don’t get any submissions, I guess I’ll just have to finish the article myself. At the very least, this should free me up to format and publish my list.&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;I don’t plan on posting much (if any) new material until 2007. Of course, I can’t guarantee that I won’t stumble upon an irresistible story in the meantime, but I’ll be doing my best to enjoy the holidays.&lt;/span&gt;&lt;/p&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_17.html' title='&quot;Libby&quot; Clark: 9/11 Eyewitness Report Cards, Installment VI'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=116638040340086592' title='20 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/116638040340086592/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/116638040340086592'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/116638040340086592'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116629076265034693</id><published>2006-12-16T12:33:00.000-05:00</published><updated>2007-05-14T09:04:22.442-05:00</updated><title type='text'>Kai Simonsen: 9/11 Eyewitness Report Cards, Installment V</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction –&lt;/span&gt; Kai Simonsen&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;First off, I want to apologize for promising in my last article that this article would include my "eyewitness" list. Due to the rate at which I’m unearthing information about these individuals, I’ve decided to keep this list close to my vest for the time being. Hopefully, after reading this article, you’ll understand why I’ve decided to keep these names under wraps until I’ve had the chance to do my diggin’ (I don’t want “breadcrumbs” disappearing from the web before I have the chance to find them).&lt;br /&gt;&lt;br /&gt;Kai Simonsen is the FOX News "reporter" who was reportedly inside Chopper 5 at the time of the “second impact.” I downloaded the footage that mentions Kai from &lt;a href="http://www.archive.org/details/911-Chronology-Source"&gt;911 Chronology - Source Material&lt;/a&gt; (approximate VRTs 21:25 and 23:20). I'm currently working on creating a multipurpose excerpt for YouTube, but for now, I guess you'll have to either go there yourself or take my word for it.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;UPDATE:&lt;/strong&gt; There is already a &lt;a href="http://www.youtube.com/watch?v=pA2luI2wUEk&amp;mode=related&amp;amp;search="&gt;YouTube video&lt;/a&gt; in existence that includes FOX News tapping into Kai's feed. For some reason, the audio has been turned down the first time Kai comes on at 15:30 Video Run Time (VRT). This is not the case in the 9/11 Chronology video. Kai comes on again in the YouTube video at 17:25 VRT.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; The Kai Simonsen Interview&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a href="http://www.documentnewyork.com/story.php?primaryKey=23"&gt;&lt;img style="MARGIN-TOP: 0px; DISPLAY: block; MARGIN-BOTTOM: 0px; WIDTH: 120px; CURSOR: hand; MARGIN-RIGHT: auto; TEXT-ALIGN: left" alt="" src="http://s113.photobucket.com/albums/n237/StillDiggin/KaiSimonsen.jpg" border="0" /&gt;&lt;/a&gt;(Click photo to read interview)&lt;br /&gt;&lt;br /&gt;Aside from the fact that this article contains countless spelling errors and some of the longest sentences I’ve ever read in my life, there are a couple of interesting things that Kai mentions.&lt;br /&gt;&lt;br /&gt;First of all, he says that he had just landed in Caldwell, NJ when he received a text message about the “first impact.” Then he says that shortly thereafter, they took off again and headed for the towers. As the crow flies, it’s about 20 miles from Caldwell to the towers. Yet we can see from &lt;a href="http://www.youtube.com/watch?v=O1umznssiZU"&gt;this video&lt;/a&gt; that Chopper 5 is barely moving as it films from several miles away. In fact, it is actually moving sideways faster than it is approaching the towers.&lt;br /&gt;&lt;br /&gt;No matter what time they actually launched, this scenario doesn’t make any sense. If they launched only 5 minutes after the “first impact,” then it took them 13 minutes to travel approximately 13 miles. So why would they slow down from 60mph to less than 10mph (and not even toward the towers) while they were still several miles away?&lt;br /&gt;&lt;br /&gt;Furthermore, who was controlling the zoom factor of the camera? And why would that person choose to zoom in when they did? Of course, the second question is moot, since we now know that the purpose of this zoom was to provide us with an unmistakable image of a “plane.”&lt;br /&gt;&lt;br /&gt;Skipping over the absurd “sightseeing pilot” comment, I will make a note for later about the obviously false statement that he was “up there for a few hours.” His reference to a fellow FOX reporter who was “hiding inside one of the trucks,” is also noteworthy.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Kai Drops Some Breadcrumbs?&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;After reading this interview, I moved on to the second page of Google results for Kai Simonsen. Dated December 19, 2001 – this is what I found (click on the image for the actual link):&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a href="http://asianamericanfilm.com/cgi-bin/boards/dcforum/dcboard.cgi?az=show_thread&amp;om=84&amp;amp;forum=DCForumID1&amp;archive=yes"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: left" alt="" src="http://s113.photobucket.com/albums/n237/StillDiggin/KaiRentalAd.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Amazing, isn’t it? Everything you need to create your very own media hoax, all in one place! They even have a green screen! I wonder if this was the same studio that is currently for rent at 28 Warren Street.&lt;br /&gt;&lt;br /&gt;After noticing that he had two posts in that forum, I dug up the second as well:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a href="http://asianamericanfilm.com/cgi-bin/boards/dcforum/dcboard.cgi?az=show_thread&amp;om=315&amp;amp;forum=DCForumID1&amp;archive=yes"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: left" alt="" src="http://s113.photobucket.com/albums/n237/StillDiggin/KaiAerialAd.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;FYI, the mandy.com link is dead, as is the second link (although the &lt;a href="http://www.sundialproductions.com/sundial/films.html"&gt;sundialproductions.com website&lt;/a&gt; is alive and well). Whether Kai feels he was in the clear at that point or whether he felt guilty and started dropping "breadcrumbs," I don’t know. If anyone cares to ask him, you might want to do it quickly, before he suddenly has an "accident" or a "heart attack."&lt;/p&gt;&lt;p&gt;I’m not sure whether that phone number is still valid, so you may want to try contacting him at his &lt;a href="http://www.millenniumhd.com/"&gt;current company&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Even though the mandy.com link is dead, I’m going to add that “kai005” page name to my notes. &lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;&lt;strong&gt;UPDATE:&lt;/strong&gt; I figured they might kill both of Kai's links associated with the screenshots above, so I saved them before I posted this article. Great thanks to Webfairy for allowing me to store them on her site.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.thewebfairy.com/stilldiggin/Asian%20American%20Film%20Message%20Boards.htm"&gt;First Kai Ad&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.thewebfairy.com/stilldiggin/Asian%20American%20Film%20Message%20Boards%20Kai2.htm"&gt;Second Kai Ad&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Kai Hits the Streets?&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Back in my Don Dahler installment, I pointed out how Rick Leventhal beckoned his crew to the intersection of Warren and Church. His exact words were “come over this way, Pat. (Five?), Bill - we can see the top of the building from here.”&lt;br /&gt;&lt;br /&gt;According to this &lt;a href="http://www.foxnews.com/story/0,2933,218902,00.html"&gt;foxnews.com article&lt;/a&gt; (halfway down the page):&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;The FOX News truck, parked on Church Street between Duane and Reade, became a home-in-hell for the New York bureau, which was all-hands-on-deck for the cataclysm. Producers Carlos Van Meek, Kendall Gastelu, Ian Rafferty, Anne Woolsey and Katie Sargent teamed with shooters like Pat Butler, Don Collopy, Scott Wilder and Mike Fagan to ensure viewers saw the devastation in all its ghastly reality.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Aside from placing the truck 2 blocks north of its actual location (did they have 2 trucks?), who else besides Pat Butler could Rick Leventhal have been talking to? I don’t see a "Bill" on that list, and of course, there’s no “Five” either.&lt;br /&gt;&lt;br /&gt;If someone held a gun to my head and made me guess, I’d say that “Bill” (maybe Phil?) is this guy, who they picked up sometime after WTC1 “collapsed:”&lt;br /&gt;&lt;/p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Bill.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Here, we have yet another clear case of the media interviewing… the media. Of course, we later see this “eyewitness” handling cable and running up and down the street just prior to the second collapse.&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/ActionBill.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;If you kept the gun to my head and demanded that I guess who “Five” was, I’d have to guess it was Kai Simonsen. This guess would be based on the dead Kai&lt;strong&gt;005&lt;/strong&gt; link on mandy.com, the fact that he was associated with Chopper &lt;strong&gt;5&lt;/strong&gt;, the fact that he mentions the truck that Pat Butler and Rick Leventhal were "hiding" in, and the assumption that there would have been no need for his “special talents” in the air after they got their “impact” shot (if he was even needed in the air at all).&lt;br /&gt;&lt;br /&gt;The last time FOX News taps into Kai Simonsen’s feed on WNYW is at 9:12AM. Rick Leventhal is beckoning “Five” at 10:28AM.&lt;br /&gt;&lt;br /&gt;What do you suppose Don Dahler/”Jim Friedl” would have said to Chopper 5 when he hailed it from his radio after they botched that shot? Does “I want to see you in my office,” or something to that effect sound logical? Landing Chopper 5 on one of the nearby rooftops (perhaps on a building covered in tarp?) is far more efficient than going back to Caldwell, New Jersey (if they really did launch from there).&lt;br /&gt;&lt;br /&gt;Remember, this is pure speculation on account of the hypothetical gun to my head. I’m more than willing to hear alternative guesses as to who else “Five” may be.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Conclusion&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;I find it interesting that I was only able to find one story about Kai Simonsen's experiences with regard to 9/11. Given his vantage point, you’d think his name would be all over television and the internet immediately following 9/11. Instead, I can't find a single reference to him in any mainstream media article or story after 9/11.&lt;br /&gt;&lt;br /&gt;Wikipedia lists Kai only as one of WNYW's “&lt;a href="http://en.wikipedia.org/wiki/WNYW"&gt;reporters&lt;/a&gt;.” However, if you read &lt;a href="http://www.myfoxny.com/myfox/pages/InsideFox/Detail?contentId=1347&amp;version=6&amp;amp;locale=EN-US&amp;layoutCode=TSTY&amp;amp;pageId=5.3.1"&gt;his bio at WNYW's website&lt;/a&gt; and take a look at his present and past businesses, you will quickly understand that he is much more than just a reporter.&lt;br /&gt;&lt;br /&gt;Without taking the time to ask him, we can never be sure whether those forum posts were legitimate ads or whether he was trying to leave us clues intentionally. For instance, is he trying to tell us that Sundial Productions produced the CGI’s in all of these “amateur” videos?&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;Regardless of his intent, there is no doubt in my mind that Kai Simonsen played a key role in the media hoax aspect of 9/11.&lt;/span&gt;</content><link rel='alternate' type='text/html' href='http://911logic.blogspot.com/2006/12/911-eyewitness-report-cards_16.html' title='Kai Simonsen: 9/11 Eyewitness Report Cards, Installment V'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=36365995&amp;postID=116629076265034693' title='12 Comments'/><link rel='replies' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/116629076265034693/comments/default' title='Post Comments'/><link rel='self' type='application/atom+xml' href='http://911logic.blogspot.com/feeds/posts/default/116629076265034693'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/36365995/posts/default/116629076265034693'/><author><name>StillDiggin</name><uri>http://www.blogger.com/profile/08647559351102241180</uri><email>noreply@blogger.com</email></author></entry><entry><id>tag:blogger.com,1999:blog-36365995.post-116597300886808513</id><published>2006-12-12T20:21:00.000-05:00</published><updated>2007-05-14T09:04:56.158-05:00</updated><title type='text'>Don Dahler: 9/11 Eyewitness Report Cards, Installment IV</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Introduction –&lt;/span&gt; Don Dahler&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Don Dahler is the ABC correspondent who is probably best known for his role in this &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=bqjKeBS1JwE"&gt;&lt;span style="font-family:times new roman;"&gt;“Reporter Didn’t See Plane”&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; video clip.&lt;br /&gt;&lt;br /&gt;I used this clip about a month ago at 911blogger when asked to provide an eyewitness who didn’t see a plane. However, until I started working on this series of articles, I’d never had a chance to review the rest of the available ABC footage.&lt;br /&gt;&lt;br /&gt;When I first saw and heard that clip a couple of months ago, I naively believed that Don Dahler was just an innocent reporter caught up in the day’s events. However, while reviewing some more ABC footage, I came across something that quickly changed my mind.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Don Dahler Blows his Cover&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The following exchange between Don Dahler and Peter Jennings occurs shortly after the south tower collapse (footage available &lt;/span&gt;&lt;a href="http://video.google.com/videoplay?docid=-5061514770009171572&amp;q=peter+jennings+wtc+collapse+video&amp;amp;hl=en"&gt;&lt;span style="font-family:times new roman;"&gt;here&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, VRT 3:00 – 4:52):&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;&lt;strong&gt;Peter:&lt;/strong&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;Now this is what it looked like moments ago... My gosh.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;The southern .. tower ... 10 o'clock eastern time this morning,just collapsing on itself.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;This is a place where thousands of people work. We have no idea what caused this. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;Um ..If you wish to bring ah .. anybody who’s ever watched a building being demolished on purpose knows .. that if you're going to do this you have to get at the .. at the under infrastructure of a building and bring it down. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;em&gt;&lt;strong&gt;Don:&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;Peter?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;em&gt;&lt;strong&gt;Peter:&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;Yes Dan. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;strong&gt;Don:&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;What appeared to happen from my vantage point .. the top part of the building was totally involved in fire, and there was .. there appeared to be no effort possible to put that fire out.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;It looked like the top part of the building was so weakened by the fire that it just .. the weight of it collapsed the rest of the building .. that's what appeared to happen.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;I did not see anything happening at the base of the building.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;It all appeared to start at the top and then just collapse the rest of the building by the sheer weight of the top.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;There was no explosion or anything at the base part of it, but I .. I did see that the top part of it started to collapse, the walls started to bulge out, bricks, glass, things coming out, and then it collapsed in on itself, and it appeared to just fold down from there, from the very top.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;strong&gt;Peter:&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;Thanks, Don, very much. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:courier new;"&gt;Um, just looking at that, I don't know why, but I'm .. when was the last time the United States was attacked in this manner - it was Pearl Harbor in 1941.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Notice how Don immediately jumps in to refute Peter’s speculation of demolition, in spite of the fact that he’s just admitted that he can’t see the base of the towers. How can he be so sure that there was no explosion when he clearly was in no position to see it?&lt;br /&gt;&lt;br /&gt;By virtue of this one exchange, Don blew the doors off the cover that had been so carefully crafted up to that point. I find it incredibly ironic that his credibility was destroyed in concert with the destruction of WTC2.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Don Dahler’s Location&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Since Don was kind enough to reveal his “perpiness” (figured I’d better coin that word before Stephen Colbert beat me to it), I decided to put him under the same microscope I’d used in the first three installments of this series.&lt;br /&gt;&lt;br /&gt;According to all reports, Don Dahler spent the entire morning reporting from his 3rd floor loft, 4 blocks away from the towers. This vantage point afforded him with a view of, according to his own words, only the top half of the south tower.&lt;br /&gt;&lt;br /&gt;Just after the “collapse” of the south tower, he also states that he is observing “thousands of people running up Church Street, which is what I’m looking out on.”&lt;br /&gt;&lt;br /&gt;This statement gave me enough information to pinpoint what he claims to be his exact location. Don says he is four blocks north of the towers, which would place him on Warren Street. For him to be “looking out on” Church Street from his location, he must have been very close to it.&lt;br /&gt;&lt;br /&gt;Because he was only three floors up and inside at that time, he’d pretty much have to be right at the corner of Church Street, otherwise his view of Church Street would have been obscured by other buildings in his way. We also know that he was in a loft with a fire escape on the south side of the building.&lt;br /&gt;&lt;br /&gt;In this case, Google Earth wasn’t that much help to me, since I wasn’t able to view the area at a high enough resolution. However, it did provide me with the general address range I was looking for. Switching to a general address search, I discovered the following photo of the building at 28 Warren Street:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/ExteriorWarrenSt2005.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;This is the former Millers Falls Company office. According to this website, it was sold in 1962 after Millers Fall merged with Ingersoll Rand (I’m still digging to find out who currently owns this property).&lt;br /&gt;&lt;br /&gt;I was actually able to acquire an excellent quality aerial image of this location using Virtual Earth:&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/ViewOf28WarrenSt.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;As I was searching for additional background on this address, I also found &lt;a href="http://query.nytimes.com/gst/fullpage.html?res=9807E1D61538F93AA35751C1A962948260&amp;sec=&amp;amp;pagewanted=1"&gt;&lt;span style="font-family:times new roman;"&gt;this New York Times article&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;, dated December 9, 1984 - which states (2/3 down, page 1):&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:courier new;font-size:85%;"&gt;“In Manhattan, commercial condominiums have been or are being offered in converted space in numerous buildings, including 583 Broadway, 599 Broadway and 28 Warren Street.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; Church St. &amp; Warren St.: The “Hot Corner”&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;There was quite a lot of activity going on at this particular intersection that day. In addition to Don Dahler reporting from there, Rick Leventhal of FOX News and his crew had parked their van right across the street from Dahler’s loft on the opposite side of Church St.&lt;br /&gt;&lt;br /&gt;This is not necessarily common knowledge. In order to determine the location of the FOX News van, I compared the &lt;/span&gt;&lt;a href="http://www.foxnews.com/national/911/index.html"&gt;&lt;span style="font-family:times new roman;"&gt;footage from their camera&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; (click on link about 1/3 down the page, titled “10:28AM”) with a different angle of 28 Warren St. from Virtual Earth (using arched windows as reference):&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/RickFoxNews.jpg" border="0" /&gt;&lt;/a&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 720px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/ViewOf45-47WarrenSt.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Although the news van was parked about a half a block south of Don Dahler’s location, you’ll notice from the source footage of the WTC1 “collapse” that most of the filming was taken from the intersection of Church and Warren. In fact, as they move toward Don Dahler’s location, you can even hear Rick telling Fox engineer Pat Butler: “come over this way, Pat. (Five?), Bill - we can see the top of the building from here.”&lt;br /&gt;&lt;br /&gt;Strange, isn’t it – how they seem to know exactly when the second tower was going to come down?&lt;br /&gt;&lt;br /&gt;But wait - there’s even more going on near this corner than just a media reunion. Did you happen to notice that building under construction on the East side of Church Street from the FOX News video? That’s the building directly south of Don’s loft and right across from the FOX News van.&lt;br /&gt;&lt;br /&gt;If it looks familiar at all, maybe this photo will help to jog your memory:&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/plane-engine.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Did that help? That’s the corner of Murray and Church, half a block north of the FOX satellite van. What I really find interesting is that there is no footage showing any reference made to this engine by the FOX News crew until after &lt;/span&gt;&lt;a href="http://911foreknowledge.com/debris/bigjunk.htm"&gt;&lt;span style="font-family:times new roman;"&gt;the south tower had “collapsed”&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; (the owner of this site refers to this area as “Spook Central”).&lt;br /&gt;&lt;br /&gt;You’d think they would have seen that engine earlier, perhaps considered it newsworthy, and taken some video footage of it. After all, according to Leventhal’s story, he arrived shortly after the “second impact.” Of course, for them to film it, the engine would have to have actually been there at that time.&lt;br /&gt;&lt;br /&gt;I personally believe that all “pictures” that show this engine “being there” before the WTC2 was destroyed are doctored.&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/plane-enginepredust.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Of course, I can’t be certain of this, but perhaps the owner of this “Mystery Van” may have some idea of exactly how and when this engine arrived at the corner:&lt;br /&gt;&lt;br /&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/MysteryVan.jpg" border="0" /&gt;&lt;/a&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/MysteryVan2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;To me, it looks like that could be a heavy duty jib boom rig up on the roof of that van. Let’s just call it speculative food for thought and move on, shall we?&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis -&lt;/span&gt; Stacking the Coincidences&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Let’s take a quick minute here to review. In the span of just this one block, we have ABC, FOX, NYPD, and the FBI. We have a “Mystery Van.” We have an entire block of building surrounded by scaffolding, and completely shrouded by tarp above the first floor (can somebody tell me what purpose a tarp that’s at least 10 feet away from the outside of the building could possibly serve?).&lt;br /&gt;&lt;br /&gt;Also, we have the clean “Tonka Truck” of &lt;/span&gt;&lt;a href="http://nyfd.com/brooklyn_ladders/ladder_124.html"&gt;&lt;span style="font-family:times new roman;"&gt;Ladder Company 124&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; (from 7 miles away in Brooklyn) which shows up between the time of the two “collapses” and parks at the corner of Murray and Church. Why would they stop there? And who exactly were they talking to on the street before they parked?&lt;/span&gt; &lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;p&gt;&lt;a&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 480px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://i113.photobucket.com/albums/n237/StillDiggin/Ladder124.jpg" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;a href="http://www.foxnews.com/story/0,2933,213252,00.html?sPage=fnc.national/_911"&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt;(&lt;a href="http://www.foxnews.com/story/0,2933,213252,00.html?sPage=fnc.national/_911#"&gt;source footage&lt;/a&gt;, top of linked page)&lt;br /&gt;&lt;br /&gt;Anyway, back to Don Dahler. There’s an occurrence that I just can’t seem to let go of, if for no other reason than the strikingly low odds of it being a coincidence.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;Analysis –&lt;/span&gt; The Don Dahler / “Jim Friedl” Connection&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;At the very beginning of the “Reporter Didn’t See Plane” clip, we hear a radio beep while Don is talking on the phone. I believed that the source of this radio beep was from Don’s feed, as opposed to anything else in the studio. Due to the volume of the beep, I also believe that it was in Don’s possession.&lt;br /&gt;&lt;br /&gt;Going way back to my “Jim Friedl” analysis, bear with me as I excerpt an entire section of that article (entitled “Questions About “Jim Friedl”) that I deemed to be relevant here.&lt;br /&gt;&lt;br /&gt;That analysis has been lodged in the back of my brain since I wrote it and ultimately led me to start considering whether Don Dahler was the same person as “Jim Friedl.” I’ve highlighted the key elements in &lt;strong&gt;&lt;span style="color:#3333ff;"&gt;blue&lt;/span&gt;&lt;/strong&gt; below:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Even if it can be proven beyond a reasonable doubt that “Jim Friedl” was in direct radio contact with Chopper 5, there is still much left to debate. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;First of all, what was Chopper 5? Was it FOX 5’s only chopper, thus aptly named? Was it a military chopper? Could it have been a FEMA chopper?&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="color:#3333ff;"&gt;Secondly, where was “Jim Friedl,” and why did he have so many means of communication at his disposal? 53 seconds into the video, we hear a phone ring.&lt;/span&gt;&lt;/strong&gt; This seems to distract “Jim,” causing him to stop and restart his sentence at the word “directly.” &lt;strong&gt;&lt;span style="color:#3333ff;"&gt;If you turn your volume up and listen closely, you will hear a second phone ringing with a slightly higher pitch in the background.&lt;/span&gt;&lt;/strong&gt; Anyone who has ever had more than one phone connected to the same line should be able to attest to the fact that they don’t always ring in perfect harmony. Often times, the rings are staggered. Notice the higher pitched phone is still ringing after the phone closest to “Jim” stops.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="color:#3333ff;"&gt;So let’s see. Two phones on the same line plus the cell phone he was using for the interview plus the radio he needed to communicate with the chopper.&lt;/span&gt;&lt;/strong&gt; Does it sound like “Jim Friedl” was just an ordinary citizen at home in Hoboken?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="color:#3333ff;"&gt;If that was “Jim” talking to Chopper 5, my guess is that he had a bird’s eye view of the entire scene. This is reinforced by the fact that it would have been impossible for him to have seen “debris flying out the other side,” since “the other side” is the backside from Hoboken.&lt;/span&gt;&lt;/strong&gt; If he can really see through buildings, he and Stanley Praimnath should get together and compare superpowers. &lt;strong&gt;&lt;span style="color:#3333ff;"&gt;Based on the two land line phones, he was most likely either indoors or on a balcony. Having two phones attached to the same line is extremely rare in office buildings, so I’m guessing he was either in an apartment building or a hotel room. Having two phones in one apartment also seems somewhat rare, so I definitely lean toward a large hotel room, possibly a suite.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Finally, who was “Jim Friedl?” Well, if he lied about seeing a large plane hit WTC1, and he lied about being in Hoboken, and he was most likely in contact with the chopper that fed us the live image with the inserted CGI, do you really think he’d tell the truth about his name?&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;color:#3333ff;"&gt;&lt;strong&gt;He identifies himself as Grade 9 when he hails Chopper 5. This could open up speculation of military association (E9 Grade is the pay scale for a Sergeant Major or Command Sergeant Major in the Army), which would lead to speculation of the chopper also being military. It could also be a call sign he chose for himself if he worked for either a media or FEMA chopper crew.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;I’m no linguistic profiler or anything, but that won't stop me from coming to these two basic conclusions based on the audio:&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;color:#3333ff;"&gt;&lt;strong&gt;1.) His accent does not sound like that of a native NY/NJ resident.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;color:#3333ff;"&gt;&lt;strong&gt;2.) His diction indicates to me that he is well educated.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;An "expert" linguistic profiler should be able to conclude much more than I have, certainly not as detailed as his home address, but possibly as detailed as his home state and his educational background.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="color:#3333ff;"&gt;As far as any additional task that “Jim Friedl” may have performed in the operation (besides providing a fake eyewitness account), I couldn’t even begin to speculate as to what he might have been doing in the 37 seconds between the instant he finished the interview and the instant of detonation of the explosions inside WTC2&lt;/span&gt;&lt;/strong&gt;, because I honestly have no idea. In order to determine that, we would need answers to at least some of the many questions I’